24-hour racing has to be one of my favourite types of racing to shoot. I love that I can shoot through all types of light and play at night with my flashes to get creative. I recently went to Canberra to shoot the World Endurance Mountain Bike Organization (WEMBO) World Championships.
It’s been a couple of years since I shot my last 24hr mountain bike race. I did shoot Wild&Co’s Top Dog adventure race last year which was full of its own challenges. The tough thing about adventure races is you are never sure how long it will be before the next competitors arrive at your chosen location if indeed they arrive at all. With mountain bike races run on a set track you can be sure that if you miss a shot a rider will be around again shortly so you can adjust your settings, particularly handy while shooting at night. It took me a few tries to get the night shots just how I wanted them.
I have long wanted to shoot a rider under the Milky Way. Balancing the various intensities of riders’ lights with the starlight was a challenge. It kind of seems like my recent trip shooting the stars at the Warrumbungles was a practice run but this was not the case. Until a couple of days prior it had been planned that I’d go to Orange to shoot the final round of the State Gravity series.
One of the main things I get asked is “Do you spend all 24 hours out on track shooting?” And the answer is no. I shoot until I have had enough and then get up and out before sunrise for some of that soft morning light. In my opinion, there are only so many night shots you can do before the flash irritates the riders and affects their night vision.
I’m unsure when my next 24-hour race will be but hopefully, it will not be another few years away. Maybe next year at the next Wembo if it comes around again.
You can see all the images from the event over on our event website Outer Image here
